- Видео 108
- Просмотров 252 996
Green Manalishi
Добавлен 20 июл 2006
Видео
The Ferrets I'm a Problem
Просмотров 702 года назад
from the 1987 Album "Angry Young Ferrets" on Midnight Records/ Power Pop duo from Rochester NY
Eagles New Kid in Town rehearsal
Просмотров 84 тыс.2 года назад
from a bootleg. Snapshot of a classic rock band at the height of its powers. in tune run through of the chord progression before the fantastic lead guitars added.
Laptop screen replacement How to replace laptop screen Toshiba Satellite C55 B5300
Просмотров 2514 года назад
How I replaced my laptop screen. You can do it too. Screen and encouregement from www.LaptopScreen.com
Maya De Vitry When the Memories Come Around
Просмотров 4205 лет назад
Artist: Maya De Vitri Song: When the Memories Come Around Album: Adaptations (2019) Roghts: Mad Maker Studio P.O Box 90598 Nashville, TN 37209. Produced by Dan Knobler Recorded by Dan Knobler at Goosehead Palace in Nashville, TN in 2017 on June 27-29 and August 1
Moon Martin - Blackmail ....see also cover by Frankie Miller
Просмотров 5915 лет назад
from the cool Moon Martin album Dreams. On File (1992), There is a version of this song by a British Blues Rock singer that is more rough and tumble, but I can't recall who did that one. Anyone know?
Townie Clan - Lotus STP
Просмотров 1428 лет назад
Rochester NY Rock Band Lotus STP. great song from recordings for 2nd album. Dec 1988. prod. Russ Tolman. Engineer: Dave Andersen
Ferrets (Rochester, NY) "She Was Unkind"
Просмотров 1,6 тыс.10 лет назад
Ferrets (Rochester, NY) "She Was Unkind"
Endless Boogie 4 Sep 2013. Metro Gallery Baltimore MD
Просмотров 11310 лет назад
Endless Boogie 4 Sep 2013. Metro Gallery Baltimore MD
Cousin Al and The Relatives: "Surfin on the Barge Canal"
Просмотров 96711 лет назад
Cousin Al and The Relatives: "Surfin on the Barge Canal"
One of my favorite Chris Ballew/Casper Babypants tunes! So beautiful
Esta cancion me relaja y me transporta donde mi mente vibra y sueña
Felder's fills and licks are absolutely beautiful. Every member of the band was at the top of their game when this album was made.
Wow. Kids today got nothing like this. 😢
Very Cool!!!!!🤣🤣🤣
tonite you are a small shot of ether in the carburetor of my mind
The creation of a legendary song!
So cool
rock out with your cock out!
Nice driven phat drums and open road soundscape you've created with echo, takes me right into it with good lines too👍
2:25..."BRIDGE...B 7TH". Scared the heck outta me! LOL!
The chorus catchphrase's tune is almost exactly the same as "I Can't Put My Finger On It" by Wally Holmes as recorded by Donny Osmond in 1976. When Wallinger sings the words "Ain't Gonna Come Till I'm Ready" the metre and tune are almost exactly the same as when Osmond sings the words "I Can't Put My Finger On It." (Other than that there are no similarities). Certainly not saying Wallinger stole it or anything, but it is interesting to hear.
Cool! I can see that. Same hook! Wallinger was definitely doing a 70s vibe ruclips.net/video/Xme5QrwsIhA/видео.html
There's actually a lot of Beatles in this. The drums are the most un-Beatle-like part. Pretty cool to hear this for what's possibly considered a perfect song.
Nice!
Next:: UFO "Rock Bottom"
that photo is so random but it so perfect......god together with song its perfect
Not for me. These cars were more my 60s memories. Not 70s cars. Very very early 70s maybe. But not the mid 70s of this song's time period.
Very Roky Erickson type playing
Just hearing the music as it’s being developed is a treat. Beautiful.
Love these early takes !!✌
Let's also give John David Souther the credit for writing most or possibly all of the song's beating heart.
Glenn's velvet voice!
3:25 before they added the two brilliant transition chords to the chorus 🎼
You can here that Felder’s beautiful guitar fills had not yet been created.
Yes and the amazing Felder ? guitar solo not yet here
Great!!!!
It’s their creative product and thus theirs to control - don’t steal from others
It’s like a tutorial on this is how you do it
This version could have made it #1 Wow!
karaoke versions....finally an eagles song I get to sing along to!! yeah!
Creating and then re-visits are the best. Just like going to your fave recipe and thinking “ you know I’m gonna add 4 twigs of Rosemary to the bread this time” ahh just right!
love this!!!!!!!!!😃
Favorite Eagles, most people don’t know what the song is about
Whats it about?
@@48Watcher82 it's about 5 minutes too long...😂these guys made 3 excellent records...the first 3. bernie left, then randy, then they kick felder to the curb. what a mess. hotel california may be the most overrated record in history. some of the songs are really good, but as an album it doesn't rate with on the border. anybody can tell that they were falling apart. just ask timmy. he was ready to walk 10 minutes after he joined. i would be surprised if they didn't ask JD or jackson to join at some point. but those guys didn't need that shit...tom waits said that the only thing an eagles record was good for was keeping dust off your turntable. that's some funny shit right there!! though he also said he'll keep cashing their checks (ol' 55- he hates their version. i think it's amazing).
@@davidmurphy5647 While not my favorite albums of theirs as well, with bookends of Hotel California and Last Resort and a ballad in the middle like Wasted Time, it can not be considered that overrated. Three pretty darn great songs right there.
You a holes
This is The Eagles finest moment ever. God bless JD Souther for writing this remarkable ballad. (his own version from “Natural History” is equally splendid. Indeed, Don Felder had a singular and signature feel for guitar, and was far and above one the best performers of his time.
Don Henley has a fantastic feel on the drums. He’s laid wayyyyy back on the snare, and it never falters. Love the subtle hi hat splooshes on the four count too. His control of the duration of those hi hat figures is just perfect. I heard Don say in an interview something to the effect that he didn’t play drums well enough or know enough about drums to do an interview on the subject. But he’s wrong about that…,or at least he’s wrong about the playing part. He was knocking out incredible song after incredible song and he could repeat them live. If he struggled playing a perfect drum track in the studio if sure didn’t show in his performances. So many musicians spend at least some amount of time searching for the perfect tempo where the song likes to live, then they play a live gig and stray from the perfect tempo they had considered so carefully in the studio. I’m a drummer and I’ve had this discussion with damn near every guitar player and some vocalists about, “it’s always good to bring the tempo up when playing it live.” and I just shake my head. There’s a phenomenon that occurs when playing music wherein many people hear it differently than when they’re a passive listener. It has to do with the nebulous concept of listening to yourself and the rest of the instruments playing with you as a passive listener while you’re actively playing the music. Listening to oneself whilst simultaneously playing the very sounds one is listening to is a skill that can take years and years of practice to develop, never mind master. Some people are born with it, sometimes very acutely, while others never do get it down. Dave Weckl is one of the most revered and respected drummers in the history of the instrument, and he has a catalog of instructional videos wherein he addresses the subject. Drummers have some unique challenges inherent to the instrument, and one of those challenges is in developing four way limb independence to play the equivalent of four individual parts traditionally scored for separate percussion instruments. Right along with that independence comes the necessity to “mix yourself behind the kit as you’re playing”. There should be a symbiosis of dynamics among the limbs and corresponding instruments. It’s harder than people realize to simply raise your right hand from quarters or eighths on the hi hat to hit a crash cymbal and maybe a tom tom and slip right back onto the hi hat with no discernible distortion of the time feel, nor dynamics. Coming back in on the hi hat perfectly in time, meaning “on feel”, not necessarily on gridded metronomic time, as well as with dynamic and tamboric consistency, requires skills that are damn near a gift from God. “Thought is the enemy of flow.” -Vinnie Colaiuta- To achieve and maintain a consistent flow of the pulse, thought has to be very focused on the pulse so no person listening closely to the tempo can sense a change. Dave Weckl and Don Henley have most definitely mastered the skill. Drumming is hard, my friends. Singing and drumming at the same time feels absolutely impossible until the senses catch up. It’s very difficult, but it’s also very doable. Don plays his live tunes at damn near exactly the same tempo as you’ve heard a thousand times in a thousand different places. Yeah, his songwriting is amazing, but his singing…it’s so good that words fail to do it justice. His feel is perfect, his inflections are spot on, and his otherworldly ability to create and sing the ultra high alto harmony lines is proof that he has mastered just about every aspect that’s important in playing the role of the drummer, lead vocalist and supporting harmony vocalist. My God I love music…👍
Right on man. Henley has always been underrated for his drumming. Thank you for this perspective
…I recently watched a video of The Band from 1970 doing The Weight. I think I can say with confidence that Don took his cue from Levon. Very much similar styles.
@@luvbasses5487 I could get behind that. Levon was the epitome of extraordinary on the drums. I’ve never heard another person play like him that wasn’t influenced by him. Don had a similar intention to his playing, I think. You didn’t get a lot of flair with either Levon or Don, but when they spoke up it was clear and obvious. Don’s playing on Those Shoes still knocks me down every time I hear it. What a fantastic performance. And his little drum fills at the end of Heartache Tonight are about the closest thing he ever played to a drum solo.
…the hi-hat work alone, demonstrated on Shoes is a study in itself. Every musician should pay close attention to it - It doesn’t bother any that we don’t get long solos from Don. If we want those, we know where we can find em from others. Don has the golden throat and legendary songwriting abilities. That’s plenty for me to process!
@@luvbasses5487 excellent point regarding the hi hat performance. Don’s right hand is very sure and solid. I love how that entire song is organized and orchestrated. The off kilter rhythms he uses are a great touch to add tension in keeping with the brooding tone of the lyrics. A simple displacement of the backbeat every two bars adds the perfect motion to the strict, regimented hi hat and bass drum pattern. I really dig how the section changes are so anticipated, just waiting on the guitar to finish its thing. Joe Walsh shines all over this piece. His genius is on full display, from his guitar tones, to the stiff, angular stabs of sound as there’s so much space between the notes in his phrasing. I love the way they use space in this tune to create the daunting vibe, and it’s such a brilliantly executed performance all around. Joe’s solo is absolutely stunning to me in how he says just the right words, and leaves room to absorb them afterwards. He phrases this so flawlessly, I can’t even find the right words to describe what I mean. From the very beginning of his solo, the way he barges into the space with that riff so confidently and well stated, and it continues in that conversational manner, with the ups and downs of his inflections perfectly outlining the framework of the theme….I can’t say enough about how the guitar solo catches my attention, and has done for all these decades. And Don is right there with the hi hat, bass drum and snare foundation, setting up the transitions with his perfectly sparse drum fills. They make the whole kit sound enormous. I’ve always loved that flat, thick tone he got from his toms. Can’t forget his cymbals either. I think I hear a China type, but I’m never sure. Anyway, there are a dozen different aspects of this one song and how great it’s recorded that I could go on about. And I also agree on the drum solo thing. I’m rarely impressed by drum solos, I’d rather hear really great parts in the tune itself.
Can any one verify that it's Henley on drums? It doesn't sound like him.
Glenn's unmistakable voice and Felder learning his classic parts.
I think you articulated why I like this. Also the ready for radio recording is a masterpiece.
Yeah but JD is on there sometimes, so he’s in the studio with them in this rehearsal
Singers and players all - from a now bygone era. Mid to late 70s were a special and weird time for music and fashion but spectacular product emerged, nonetheless.
Imagine your feelings just before you stepped in as the new kid in town. Not just butterflies. But maybe just how Don lays it out on guitar.
I don't know which brings back more memories, the song, or this photo of Fort Lauderdale beach.
Yeah, I instantly recognized that section of A1A looking north. Maybe from late’60s. Wow! Takes me back.
I spent a lot of time on that beach and in the Sandbox bar 👍😊🌴
Don Felder is a virtuoso
This is great insight to how a song is formed and progresses... Very cool! Leave it on here Azoff and Henley... Its so unique... Love it!
Love this
unedited mother recording 😁
groovy hooks !!
God I love this track. Thank you Tom!
RIP Tom Verlaine ❣
Practice makes perfect.
Written about midtown muse Bernard Patrick...true story down to every detail. Awww rip Bernard 🕯️
Am here because of the new song from Alvvays
My neighbor had this album when I was a kid and I've been looking for proof it existed for decades. Yay.
I have it too! VINYL